Gelsenkirchen - Buer: FIU (Free International University); Städtische Museum, 1979 14.5 x 20.3cm, 2pp announcement card for the ‘working conference’ of the Free International University (30.11 - 07.12.1979). Silkscreened card on ‘silver’ coated paper. Tangentially related to Beuys' the image is reminiscent of Warhol's disaster series although there is no knowledge as to who designed the card. Some colour smudging on back due to over ‘inking’ of the silkscreen. VG+. ...

Dunsyre, Lanark: Wild Hawthorn Press, n.d. (1979)
10 x 5.2cm, 18pp (printed on one side only) accordion fold. The artist's book has the text: "Typography which used to flow like rivers" - but all but the last two words are sent vertically rather than horizontally. A comment on experimental typography which infers disapproval although how a visual/concrete poets could take that view is hard to accept. The vertical section might be compared to waterfalls after all. VG+.

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NYC: Ronald Feldman Fine Arts., n.d. (1979)
14 x 10.3cm, 1pp announcement card with an image of Beuys in b.w without his hat showing his thinning hair. Hand addressed on the reverse and mailed with stamp and frank. VG+.

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Berlin: Rene Block Gallery, 1979
Two cards - both 15 x 10.5cm, 2pp on thin card. One card has an image of Beuys in performance and overleaf details of the publication "AUS BERLIN: NEUES VON KOJOTEN" - which outlines the I Like America America Likes Me (Coyote) aktion in Ronald Feldman Gallery. The second card is an unused order form for the book and other publications. Both VG+.

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NYC: Institute for Art and Urban Resources, n.d. (1979) 16.1 x 21 cm, 2pp red on brown typographic announcement card published in conjunction with reception for Beuys held on November 3, 1979. Organised in conjunction with the International Committee of the Institute for Art and Urban Resources and Ronald Feldman Fine Arts. The Institute for Art and Urban Resources Inc. was an organisation that transformed abandoned buildings in New York City into artist studios and exhibition spaces. It later became MoMA PS1. VG+. ...

Saint Pierre des Corps: J. & J., Centre Saint Pierre des Corps, 1979
19 x 13cm, 24pp plus original wrappers. Artist's book unusually created from a nine minute b/w film of the same name by Jacques Parart based on the artist's life as a young man. The book has original texts by Boltanski which are printed in poetic structures on the left of each double page and, on the opposite page, deliberately childlike drawings by Jennifer Gough-Cooper and Jacques Caumont. The stories are reminiscences of early childhood life with some rather important events (such as over-hearing that his grandfather had died while pretending to be asleep in bed).
VG+ condition. A scarce publication released at the same time as an exhibition "Boltanski, ouevres de 1974 - 1975". This was the last (for a period of years) of the artist's books based on recreations of his early life - after this exhibition a period of creating large photographic works from posed items dominated the artist's output.

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Dunsyre, Lanark: Wild Hawthorn Press, n.d. (1979)
10 x 5.2cm, 18pp (printed on one side only) accordion fold. The artist's book has a text printed vertically: "VTOLP" and then a few pages later "V/S" and the next page the TOLP is printed as an upward ascending text.
This is a concrete poem relating to the abbreviation of Vertical Take Off and Landing plane which first revealed to the public in the mid 1960s. The first page shows the passage of the plane upwards, the second is a representation of a normal plane taking off at an angle. We cannot work out what the "S" in the second typographic section stand for however. A shame but we continue to research this. VG+.

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London: Editions Poetry, 1979
24.5 x 18.8cm, 112pp plus original colour printed wrappers. the first number of this poetry and literature review which is notable for a full colour pull out of a reproduced lithograph by Graham Sutherland and work by Ted Hughes, Alan Brownjohn, Bernard Gutteridge, Iris Murdoch, Bob Dylan, Craig Raine, and many others. For our interest however the back cover is a reproduction of Finlay's rare print Le Circus! A VG+ copy.

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