France: Monnaie de Paris, 2015
50 x 46cm, printed brown paper bag with string handles. Boltanski organised along with Hans Ulrich Obrist a series of TAKE ME I'M YOURS exhibitions (beginning in 1995 at the Serpentine Gallery, London) where the artworks could be taken away by visitors. Boltanski often created "Dispersions" - piles of second hand clothing that anyone was welcome to put into the specially printed bags (of which this is one example) and take home. Theoretically an unlimited edition but time limited.
This example is in VG+ condition but folded twice for storage.
JOINT:
France: Monnaie de Paris, 2015
21 x 15cm, 1pp typographic handout describing the work from the exhibition. Also mentioned the Felix Gonzalez Torres works on show in the exhibition. VG+.

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Glasgow: Wax366, 2015
10.5 x 15cm, 2pp artist postcard printed letterpress with a reworking of Saint Just's text from the arrest of Danton, the original reading: "The World has been empty since the Romans and only their Memory fills it and still prophesies Liberty." VG+

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Paris: Monnaie de Paris, 2015 18 x 14cm, 36pp (self cover). The exhibition catalogue for the major exhibition curated by Boltanski and Olbrist which was based on their original show in the Serpentine Gallery, London in 2007.  The exhibition was based on the idea that the artists would give works to the attendees for free to take away. Included works by Gilbert and George, Douglas Gordon, Boltanski, Hans-Peter Feldmann, Lawrence Weiner, Jeremy Deller and others. B/w images of installations and texts in French and English. VG+. JOINT: TAKE ME Paris: Monnaie de Paris, 2015 15 x 11cm, 28pp (self cover). The children's version of the programme with one work on the cover. Texts in French and English. VG+. Price is for both together....

Glasgow: Kingsford Captial Management/Partick Thistle, 2015
11 x 7.4cm, black on yellow "referee's card" with the text "You have officially been cautioned" printed on it in diecut red card folder. A limited edition object multiple given out at a Partick Thistle football match to "be used in situations both on and off the pitch where you wish to advise others : A line has been crossed and caution is advised. Put it to good use." This copy is signed on the back in felt tipped pen by Monk.

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Pittenweem: Cairn, n.d. (2015)
10.5 x 15cm, 2pp, typographic announcement card for a joint show between Bellingham and Thomas A. Clark where the space was covered in coloured diagonal lines. VG+.

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Iona: Iona Craft Shop, 2015
21 x 15cm, letterpress and foil stamping on thick white card, 2pp. Bellingham was commissioned by the Iona Craft Shop to create a new work and he made various scale models of the planets out of bronze and buried them in a remote field on the island of Iona. Each was buried a relative distance from the surface as their average orbits are from the sun. There is no overground record other than the map on the back of this card that shows where the works are - and even that map only shows the outline of the field. Jupiter was the size of an orange and Pluto (hmmm - a planet?) the size of a pea. Mercury is four inches from ground level and Neptune is found nine feet deep.
There are two cards - one on white, the other on brown, this is the former..
"There is nothing to see, just a story to tell about a buried solar system that mimics the one about our heads."

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Edinburgh: Scottish National Portrait Gallery, 2015
25./4 x 23.3cm, 64pp plus boards. First edition of this photobook by Finlay collaborator Gillanders with 31 black and white photographs documenting Little Sparta, in Scotland, accompanied by an essay by Gillanders and an Aafterword by Alec Finlay. VG+.

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Paris: Dilecta Editions, 2015
30 x 22cm, 64pp plus card covers. Additionally there are seven 30 x 22cm, 1pp sheets of adhesive stickers with one work by each of the participating artists. The exhibition catalogue of a exhibition curated by Hans Ulrich Obrist and Christian Boltanski at the Monnaie de Paris where all of the works were available for the visitors to take home (at least in part). Boltanski's contribution was a dispersion of second hand clothing in printed paper bags.
Other artists included James Lee Byars, Gilbert & George, Jeremy Deller, Hans-Peter Feldmann, Douglas Gordon, Carsten Holler, Jonathan Horowitz, Gustav Metzger, Philippe Parreno, Yoko Ono and others.
The catalogue also acted as a sticker album - the colour stickers on the sheets being expected to be peeled off and places in the correct space in the book. This copy retains all of the stickers on the original sheets and is VG+.

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Grand-Hornu: Musee des Arts Contemporains au Grand-Hornu,2015
15.5 x 11.5cm, outer card folder which opens to 6pp (unprinted). Tipped in such that they open up to 42 x 30cm, 1pp are posters on the left and right sides of the open sheets for the two works (Les Registres du Grand-Hornu and Apres), in the middle is a 15 x 10cm, 8pp with texts by Laurent Busine and Boltanski in French.
An unusually designed exhibition catalogue for the artist's Belgium show. VG+. Scarce.

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Tours: Centre de Creation Contemporaine Olivier Debre, 2015
13.5 x 21cm, 2pp announcement card with a work by Monk on the front after Ed Ruscha. A group show with the participation of Claude Closky, Pierre Huyghe, Ari Marcopoulos, Maurizio Nannucci and others (displaying artist's books). Signed by Monk in felt tipped pen on the reverse. VG+.

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