28 x 21.5cm, 1pp working for a personal horoscope for Spencer Davis (the artist not the musician). The paper is a xerox from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut considering many aspects of the supposed influence of the sun and moon and stars on their lives. Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). This one such example of these pseudo-scientific items. VG although previously folded....

24 x 16.5cm, double sided workings for two personal horoscopes for Larry Kessler (the abstract artist) and the cineast Gene Youngblood. The paper is from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut for both subjects considering many aspects of the supposed influence of the sun and moon and stars on their lives. Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). These are two examples of such horoscopes. ...

New Brunswick: Brecht West, n.d. (1969?) 28 x 21.5cm, 1pp black on yellow offset lithographic leaflet for a screening of the two important Yalkut films - "Woodstock"" presumably mistakenly refers to Yalkut's 1969 film "Aquarian Rushes,"" which documented the festival. And the other Film is his important portrait of Yayoi Kusama. VG....

Montreal: Centre du Film Underground, 1969 30 x 19cm, 2pp purple on white and b/w offset lithographic leaflet for the Canadian experimental cinemas film programme which includes James McBride, Andrew Noren, David Bienstock, Jonas Mekas and Yalkut's film of Yayoi Kusama - "Self Obliteration." Small images of the films on back. Text in french and English. Some wear and tear to the top of the leaflet else VG. ...

NYC:n.p. (Dick Higgins?), 1968 21 x 28cm, 1pp b/w offset lithographic leaflet for an "Evening of tributes to Walt Whitman organized by Mac Low and Iris Lezak" featuring Yalkut's ""Eclipse Movie," and readings by poets including Carol Berge, Aer Berger, Paul Blackburn, Micheal Heller, Spencer Holst, Jerome Rothenberg, Armand Shwerner and others. There were also projection works by Alison Knowles, Jackson Mac Low, Geoff Henricks, Iris Lezak Mac Low and Jalkut. The drawing of Whitman is not credited but it looks like Dick Higgin's style. VG. Scarce....

NYC: Something Else Gallery, 1968 28 x 21.5cm, 1pp b/w offset flyer for an evening at Dick Higgins' gallery featuring ""poets and film-makers.Those included alongside Yalkut were Jackson Mac Low, Iris Lezak; Carol Berge, Larry Friefeld (who designed the leaflet), John Harriman, Harry Smith, Micheal Snow, Alison Knowles and Mel Shults. VG....

Dunsyre: Wild Hawthorn Press, 1969
16.5 x 12cm, 2pp. The card has a reproduced drawing by Margot Sandeman of boats and overlaid is a text which lists three names OF barge - Ethel Maud, Lapwing, Spinaway C and the four name FOR barges - Bramble, Titch, Typhoo, Prettypolly. The former are presumably existing names, the latter names that Finlay would like to allocate.
Murray has this as Card 4.18. ...

Antwerpen: Wide White Space, 1969 A long horizontal strip of white paper (7 x 80 cm), with text printed offset black (0.55 x 34.3 cm). Together with the large white paper envelope (24.2 x 30 cm), with text printed offset black, in which the ephemera, being crumpled in a ball shape, had to be placed. Our copy is flat and unfolded....

London: Studio International, 1969
31 x 24cm, 104pp plus card covers. Single number of this important and long running art journal which a 4pp article - Ian Hamilton Finlay - the structure of a poetic universe by Stephen Bann. Six works in b/w reproduced. Binding a bit loose else VG+.

...

Dusseldorf: Galerie Schmela, 1969.
15 x 21cm, 4pp. Announcement card with a b/w image of Beuys' works Manresa (1966), two of Hauptstrom (1967) and Fond II (1967). this was the 100th exhibition at the gallery. VG+.

...

Dunsyre: Wild Hawthorn Press, 1968 45.9 × 52cm, yellow and black on white silkscreen. A collaboration with the well known British pop artist Caulfield in the latter's bold, thick out-llined style. Four lemons are in a bowl, and the word MARINE is next to the bowl seemingly on a piece of wood or card (possibly a fisherman's slip used to identify who owned what fish boxes when the catch went to market).
In a number of different works, Finlay often compares lemons to boats - so this is on one level a scene of a harbour: the lemons are made even more obviously to represent boats as they each has port registration numbers on them.,
The edition size is not known. All copies of the print are unsigned (which was Finlay's preference but a little unusual for the pop artist). There are some scuffs on the black of this silkscreen but else VG. This is a very rare print - partly for the later popularity of Caulfield.
JOINT:
15 x 21cm, 1pp. Printed compliments slip "Marine: Ian Hamilton Finlay:drawn by Patrick Caulfield" and with added hand written note: "Love from Ian, 4 January 1969". Perhaps might be regarded in lieu of a signature.
BR> MEDIUM Screenprint on paper DIMENSIONS Image: ...

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