Glasgow: Wax 366, 2010 26 x 21cm, 24pp (self cover). Artist's book (issued as a festive gift at the New Year as is Bellingham's habit), the word day is reproduced as a small photograph 365 times in the book (with evidence that Belling actually did that not just repeat the same image. Limitation not known. Fine....
Glasgow: Wax (Bellingham), 2000 Six separate printed sheets - each 43 x 18.5cm in plastic transparent pouch. The first sheet being the title and the rest each a faux optometry chart made up only by each of the English language vowels in turn. Edition of 250 copies (aside from a deluxe "exhibition" edition of 10 framed copies). Fine....
Glasgow: Wax366, 2020
14 x 16cm, 2pp artist postcard with a text showing white on orange on the front: "IT HAS NO FORM/IT HAS NO WEIGHT/IT HAS NO COLOUR/IT HAS NO SHAPE/IT IS INVISIBLE/IT IS TOMORROW." A new year's gift from the artist. VG+. ...
Glasgow: Wax366, 2020
21 x 15cm, 2pp artist postcard with a text on the front (indented into the card) - MORNING SUMMER AFTERNOON WINTER/SPRING NOON AUTUMN EVENING. The two lists mix up two groups of time emphasising the parallels between the conceptual groupings. A new year card sent to friend and family as a gift. Limitation not known. VG+. ...
Edinburgh: Morning Star Publications, 1999 A set of two, 13 x 25cm stamps. Cinderella postage stamp design by Bellingham - one is a series of lines (measures) and the other a small number of shapes found in the gaps between bare branches in trees which are foregrounded by the artist by painting their shapes. From an edition of only 500 taken from the Imagined Lands small portfolio. Fine estate. PRICE IS FOR BOTH SETS OF STAMPS AS A GROUP...
Glasgow: s.p. (Bellingham), 1998 14 x 2 x 2cm, wooden commercially manufactured door wedge with attached label with the text: "AN INCLINED PLANE, WEDGE OR STOP. A FALL AWAY FROM THE VERTICAL.". Signed on the label by Bellingham. All in a yellow draw string bag. Limitation unknown....
Tel Aviv: Centre for Contemporary Art, 2019 21 × 14.8 cm / 68pp plus card covers. Artists book which was also conceived as an exhibition catalogue, it includes images of the exhibition installation of full colour "wall paper" which shows works by Monk and others with only a few a three-dimensional objects included in the show. There is a curatorial essay by Nicola Trezzi in both English and Hebrew. This example is signed by Monk on the inside front cover in pencil. VG+....
NYC: Casey Kaplan, 2019
28 x 22cm, 1pp offset lithographic press release from the solo exhibition.
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NYC: Casey Kaplan, 2019
28 x 22cm, 12pp offset lithographic biography and exhibition list for Monk's artistic career. Very useful documentation.
BOTH VG+ in original white unprinted folder as released.
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Belin: Safe Gallery, n.d.
15 x 10.5cm, 2pp announcement card with one work of a drawing reproduced on the front and verso gallery details. This example is signed on the back of the card by Monk in pencil. VG+.
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Paris: Centre Pompideau, 2019
7.8 x 5.3cm, metal and plastic and paper fridge magnet with an image of the artist's Le Maanteau from 1991. VG.
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Paris: Centre Pompideau, 2019
7.8 x 5.3cm, metal and plastic and paper fridge magnet with an image of the artist's Depart from 2015. VG.
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33 x 20.3cm, digital print on paper with added watercolour and gouache. One of a series of works where Monk has recreated paintings by the arte povera artist Salvo who is known for his stylised tree paintings and painted them on digital print outs of scanned furniture adverts (objects made from trees as is the paper.) Unique. Signed by the artist.
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