Bielefeld: Kerber Verlag, 2019
18 x 6.5cm, offset fragment of the unused wall paper from the EXHIBIT MODEL FOUR installation. Signed on the back in pencil by Monk. VG+.
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Paris: Centre Pompidou, 2019 41 x 35cm, two sided b/w tote bag in cotton with black handles. Issued at the artist's final large scale museum show with an image of the installation "Animitas" where bells were suspended on flexible iron rods and left for the wind to make them peal in situ. VG+. Unlimited edition....
33 x 20.3cm, digital print on paper with added watercolour and gouache. One of a series of works where Monk has recreated paintings by the arte povera artist Salvo who is known for his stylised tree paintings and painted them on digital print outs of scanned furniture adverts (objects made from trees as is the paper.) Unique. Signed by the artist.
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Paris: Three Star Books, 2019
25 x 70cm, unique print made by hand-dipping and creating a marbled paper with silk screened text in white. This work being created in the aftermath of the limited edition book THE END. The title refers to the Ed Ruscha prints where the final frame of films were recreated but also to the end papers of books which are often made by a similar colour dipping process. Each print in the series of 180 unique works are signed in pencil on the back by Monk. VG+
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10.5 x 15cm, 2pp commercial postcard bearing a cross text and a painted post office stamp in the equivalent blue shad of International Klein Blue. This unique mail art work was sent by Bellingham to Robertson as a gift after a discussion about Yves Kleins famous blue stamps that he used to post out one of his announcement cards for an exhibition. ...
NYC: Casey Kaplan, 2019
15 x 11.5cm, 2pp, announcement card for an exhibition of drawings by Monk on real meal receipts - the price of each work being the amount printed on the receipt. The drawings are parodies/homages to drawings by conceptual artists - the one illustrated on the front there being a Boetti. This card is signed by Monk on the back. VG+.
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Paris: Three Star Books, 2019
25 x 70cm, unique print made by hand-dipping and creating a marbled paper with silk screened text in white. This work being created in the aftermath of the limited edition book THE END. The title refers to the Ed Ruscha prints where the final frame of films were recreated but also to the end papers of books which are often made by a similar colour dipping process. Each print in the series of 180 unique works are signed in pencil on the back by Monk. VG+
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12 x 6cm, printed thermal restaurant receipt upon which Monk has drawn a faux Sol Lewitt "incomplete cube". This is one of a series of such drawings on receipts where the original price of the work is the total on the receipt. Here $39.93. Framed in glass and wood. VG+. Unique.
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Glasgow: Wax366, 2019
12 x 7cm, plastic envelope content of a printed backing sheet and a tipped on sample of colour threads used to mend clothes. Object multiple in an unknown edition size. VG+. ...
Tipperary/Saint Paulinus: Coracle & Saint Paulinus, 2019 18 x 24cm, 186pp and hand boards with applied colour illustration label. A posthumous artist's book explaining "the history of the Spandau Garden in the time of the architect Albert Speer". Speer was, of course, a Nazi who was jailed at the Nuremburg trials rather than condemned to death like his fascist friends and colleagues. The book is filled with quotations taken from Finlay's letters to Speer and watercolours of the prizon garden by Ian Gardener. It is a lovely publication if more than a little contentious. One of 500 numbered copies. VG+. ...
Berlin: Kindl, 2019
21 x 10.5cm, 2pp announcement card for a solo show where the walls were papers with images of his works and others. On the front is an installation view. Verso- gallery details. Signed by Monk on the back. VG+.
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