Little Sparta: Wild Hawthorn Press, 1986
11.5 x 17.7, 1pp card with noting the third anniversary of Strathclyde Regions "assault" on the Garden Temple at Little Sparta below which Finlay has written printed green on cream:BR> "all wars grow mossy".
The line reminds the reader that all statues and commemorative stones ultimately are covered in growth and the event forgotten. This is one of my favourite Finlay aphorisms - time passes and what seems memorable goes from public consciousness.
This card on the back has a black rubber stamp impression from Finlay that reads "FEBRUARY 4/DAY OF THE FLUTE". VG+.

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Little Sparta: Wild Hawthorn Press, 1983
81 x 21.8cm, black on green folding offset lithograph. A concrete poem with the repeat words urn and column placed one above the other (with column broken up into COL and UMN) to create the vision of a column topped with an urn. One of the more simple of such poems but there is an additional element of the the strong vertical lines of the ascenders in the font to reflect the vertical lines one might get in a classical column.

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Heidelberg: Edition Staeck, 1975
15 x 10.5cm, 2pp artist's postcard with an image of the artist and a friend at the opening of an exhibition at Bonnefantenmuseum in Maastricht. One of the unnumbered and unsigned copies. This example has a handwritten note on the back from "Isi" dated 11.6.75 for Wolfgang Becker with some paper scuffs on the back but else VG+. Becker was the founder of the famous Neue Galerie in Aachen where Beuys made some of his earliest Aktions. Schellman: P23.

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Heidelberg: Edition Staeck, 1974
10.5 x 15cm, 2pp artist's postcard with an image of the Twin Towers (taken from a tourist 3-d commercial postcard) on the front which Beuys identifies with Cosmos and Damien - the black and white twin brothers who practice medicine without taking fees and were the subject of various miracles. One of the unnumbered and unsigned copies. VG+. Schellman: P20.

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