20 Mar JAMES LEE BYARS. THE PERFECT KISS. 2018.
Bruxelles: M HKA, 2018 15 x 10.5cm, 2pp postcard released for the posthumous retrospective with an image of Byars with a "plague doctor" mask on. Vg....
Bruxelles: M HKA, 2018 15 x 10.5cm, 2pp postcard released for the posthumous retrospective with an image of Byars with a "plague doctor" mask on. Vg....
Berlin: s.p. (Monk), 2018 87 x 60cm, 1pp offset lithographic street poster produced by Monk and posted on walls in Berlin appropriating text from gallerist David Zeirner about sculptor Franz West. One of two related textual posters about West. Limitation not known - this example is VG+ and signed by Monk bottom right. ...
Berlin: s.p. (Monk), 2018 87 x 60cm, 1pp offset lithographic street poster produced by Monk and posted on walls in Berlin appropriating text from gallerist David Zeirner about sculptor Franz West. One of two related textual posters about West. Limitation not known - this example is VG+ and signed by Monk bottom right. ...
Glasgow: Wax366, 2018
20.5 x 13.5cm, 1pp artist postcard on thick card with various textual works (the printing causes the lines to indent),. Another New Year's card sent to friends and colleagues by the artist. VG+.
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Gorebridge: Lusty & The Apple, 2017
15 x 10.5cm, 2pp announcement card for a solo show (alongside other exhibitions by Brice McLean, Natalie Doyle and Abi Lewis) with one work reproduced in colour on the front. VG+.
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Krems: Kunsthalle Krems, 2017 21 x 14.8cm, 6pp announcement card for a themed show about appropriation art. Monk's take on Jeff Koon's silver Rabbit (Monk has his version deflated as if a balloon). Internally other images by artists and a short text by Naoko Kaltschmidt. VG+. This example is signed boldly in black felt tipped pen by Jonathan Monk on the back of the card where the same image of this work is printed in reflection. ...
Amsterdam: Oude Kirk, 2017
42 x 29cm, 4pp. Exhibition catalogue in tabloid newspaper format for the major installation in the old medieval church in the Old Town of Amsterdam. Four large images of the installations and text in Dutch. Folded as issued. VG+.
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Amsterdam: Oude Kirk, 2017
20.5 x 14.5cm, 48pp plus typographic card covers. Artist's book distributed at the major artist's installation in the medieval church near to Amsterdam's red light district. The book lists all of the people buried in the church between the years of 1396 - 1865. Fine condition.
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Milano: Pirelli HangarBicocca, 2018, 2001
15 x 10.4cm, 20pp plus card covers. Exhibition catalogue for the large scale exhibition (one in a series) that were curated by Boltanski and Hans Ulrich Obrist where visitors could take artworks away (much like Boltanski's Dispersion installations). texts in Enlgish and Italian, one b/w image of Boltanski's contribution - Dispersion but from the first of the shows in London in 1995. Another double page colour image of the Felix Gonzalez Torres"Untitled (revenge)". VG+.
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Gorebridge: Lust & the Apple/ Show and Tell Editions, 2017. 10.5 x 15cm, 6pp digitally printed limited edition artist's card displaying a fictitious exhibition displaying works by Bellingham and Martin Kippenberger. The work by Kippenberger was in turn a response to On Kawara's One Kilometre where a 1 km rod was placed deep in the ground, Kippenberger then cut up a bronze kilometre of metal (in fact the number of 1 cm slices did not make up the full length). Bellingham in turn created a Broken Tinfoil Kilometre (100 x 10m rolls of tinfoil). Two colour images of the Kippenberger and Bellingham works. Fine....
Glasgow: Wax366, 2017
10.5 x 15cm, 2pp artist postcard with a colour photograph of a neon work - one of a series of such neons in different colours with the same text. VG+.
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Milano: Pirelli HangarBicocca, 2017
50 x 46cm, printed brown paper bag with string handles. Boltanski organised along with Hans Ulrich Obrist a series of TAKE ME I’M YOURS exhibitions (beginning in 1995 at the Serpentine Gallery, London) where the artworks could be taken away by visitors. Boltanski often created “Dispersions” – piles of second hand clothing that anyone was welcome to put into the specially printed bags (of which this is one example) and take home. This was a second such installation - previously in Paris - the bags however differed slightly from each other in the texts but the designed was the same . Theoretically an unlimited edition but time limited. This example is in VG+ condition but folded twice for storage.
This example with a piece of children's clothing from the exhibition.
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