Little Sparta: Wild Hawthorn Press, n.d. (c. 1982)
30.5 × 43.2m, red on white offset lithograph. This is one of four which carry ant-Arts Council messages in Latin. This poster print has " CONCILIUM ARTIUM DELENDUM EST" which roughly translates into "The Arts Council Must be Utterly Destroyed" although there are some liberties taken in the language by Finlay.
Printed as part of Finlay's campaign against the muribund Scottish Arts Council and Strathclyde Region over a Rates dispute, these lithographs were fly-posted on the Scottish National Gallery, the Scottish Arts Council building and other places in Edinburgh by supporters of Finlay (called the Saint-Just Vigilantes).
Apparently ‘The Arts Council Must be Utterly Destroyed’ is derived from a phrase Cato would add to the end of every speech as a reference to his hatred of Carthage.
This lithograph is folded but all copies are rare as many were used as campaign posters on the buildings as described above. Apparently the typography was by Nicholas Sloan.

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Aisbach: Verlaggaleria Leaman, n.d. (1982 or 1983)
Printed plastic and card folder with metal ring binder. Content of individual contributions and multiples by a wide range of artists (many from the fields of conceptual art, visual poetry and some of the Fluxus- affiliated artists). Paik here contributes 4pp offset reproductions of his sketchy drawings 'Moon is reaction to sun'; Knowles a map of 'bean troubles'; Finlay's work is 'Twin-sets', Cobbin has two fold-outs 'Triptych five' and 'Triptych six'; Michael Drucks a lithograph (Xerox) in plastic folder; Ruhm a numbers work: 'Zeitgedicht' from 1981 and Tot: a work on public demonstations complete with German police permission letter for a demonstration. Crozier's contribution is a series of drawings (Xerox). Scarce. VG+.

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Carlisle: Carlisle Museum & Art Gallery, 1982
14.7 x 10.5cm, 2pp card. One of five cards released during the exhibition ‘Presences of Nature’ - each with a painting by Ian Gardner. Here the illustration shows trees and a river with rain falling. Finlay's one word poem for this image and the main title of Drip-Dry is May. A very British obssesion with the weather. VG+.

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Carlisle: Carlisle Museum & Art Gallery, 1982
14.7 x 10.5cm, 2pp card. One of five cards released during the exhibition ‘Presences of Nature’ - each with a painting by Ian Gardner. Here the illustration shows mountains and a forest and moors. Finlay's one word poem for this image of moorland is marquetry and the look of the landscape does appear to be made up of veneers. VG+.

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Carlisle: Carlisle Museum & Art Gallery, 1982
14.7 x 10.5cm, 2pp card. One of five cards released during the exhibition ‘Presences of Nature’ - each with a painting by Ian Gardner. Here the illustration shows geese flying over a river estuary. The geese however are notes which part with one half ascending, the other descending. Finlay's one word poem for this image is Deep-V-Hull-Geese which creates a visual correspondence with a ship easily pushing waves aside because of its deep V hull. VG+.

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n.p. (Münster): n.p. (Westfälischen Kunstverein), n.d. (1982) 23.7cm diameter black paper circle with the text "THE BLACK PAPER ON ART" printed in gold in the centre of the sheet. Published during the exhibition "James Lee Byars at Westfälischen Kunstverein, Munster from 18 luglio - 26 settembre 1982. VG+. Scarce. ...

Little Sparta: Wild Hawthorn Press, 1982
61.0 x 30.5cm, brown and black on white offset lithograph. A month by month textual proposal for twelve embroidery "samplers" - each here a description of a tank in camouflage (relevant to the date) and a note of its divisional symbol - which is the relevant astrological sign for the date. A reminder of death lurking amongst the beauty of nature (hence a momento mori). VG+.

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