Munchen: Galerie Schellmann & Kluster, 1980
15 x21cm, 1pp reed on white card typographic announcement card for an exhibition of new sculptures and the reinstallation of the work "Zeige deine wunde" (Show your wound) in the gallery that had previously been shown in the same space by Beuys in 1976. VG+.

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Paris: Cheval d'attaque, 1979
22 x 16cm, 108pp plus pictorial card covers. An artist's book of sorts (although published on the occasion of the exhibition in la Maison de la Culture de Chalon-sur-Saone so may also be seen as an exhibition catalogue) in that five previously published works are reprinted in chronological order after a short interview between Irmeline Lebeer and Boltanski.
The reproduced works are Recherche et presentation de tout ce qui reste de mon enfance, Tout ce que je sais d'une femme...

Chalon Sur Saône: Maison De La Culture De Chalon Sur Saône, 1979 32,5 x 44,5cm, b/w offset lithographic exhibition poster for the Boltanski exhibition. The image is one of the artist's shadow play works showing a jumping rabbit. VG+.

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Milano: Plura Edizioni, 1979 15 x 10.5cm, 2pp announcement card with a colour image of a Beuys editioned poster on the front and verso minimal gallery details. VG+. ...

Gelsenkirchen - Buer: FIU (Free International University); Städtische Museum, 1979 14.5 x 20.3cm, 2pp announcement card for the ‘working conference’ of the Free International University (30.11 - 07.12.1979). Silkscreened card on ‘silver’ coated paper. Tangentially related to Beuys' the image is reminiscent of Warhol's disaster series although there is no knowledge as to who designed the card. Some colour smudging on back due to over ‘inking’ of the silkscreen. VG+. ...

Dunsyre, Lanark: Wild Hawthorn Press, n.d. (1979)
10 x 5.2cm, 18pp (printed on one side only) accordion fold. The artist's book has the text: "Typography which used to flow like rivers" - but all but the last two words are sent vertically rather than horizontally. A comment on experimental typography which infers disapproval although how a visual/concrete poets could take that view is hard to accept. The vertical section might be compared to waterfalls after all. VG+.

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NYC: Ronald Feldman Fine Arts., n.d. (1979)
14 x 10.3cm, 1pp announcement card with an image of Beuys in b.w without his hat showing his thinning hair. Hand addressed on the reverse and mailed with stamp and frank. VG+.

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