N.p.: FIU, 1977
11.7 x 17cm, 2pp artist postcard showing a b/w image of Beuys' Plastischer Fuß –Elastischer Fuß (Plastic Foot - Elastic Foot).
The photograph taken by Caroline Tisdale shows a light reflecting on the fat from the installation which melted under the heat of the defective central heating in the Center Beaubourg, on Paris, April 1977. Verso details of the image and a standard postcard design. This card is signed by Beuys in red ink on the front. There are seven variants of this card all similar but very slightly different. VG+.

...

N.p.: FIU, 1977
11.7 x 17cm, 2pp artist postcard showing a b/w image of Beuys' Plastischer Fuß –Elastischer Fuß (Plastic Foot - Elastic Foot).
The photograph taken by Caroline Tisdale shows a light reflecting on the fat from the installation which melted under the heat of the defective central heating in the Center Beaubourg, on Paris, April 1977. Verso details of the image and a standard postcard design. This card is signed by Beuys in red ink on the front. There are seven variants of this card all similar but very slightly different. VG+.

...

N.p.: FIU, 1977
11.7 x 17cm, 2pp artist postcard showing a b/w image of Beuys' Plastischer Fuß –Elastischer Fuß (Plastic Foot - Elastic Foot).
The photograph taken by Caroline Tisdale shows a light reflecting on the fat from the installation which melted under the heat of the defective central heating in the Center Beaubourg, on Paris, April 1977. Verso details of the image and a standard postcard design. This card is signed by Beuys in red ink on the front. There are seven variants of this card all similar but very slightly different. VG+.

...

N.p.: FIU, 1977
11.7 x 17cm, 2pp artist postcard showing a b/w image of Beuys' Plastischer Fuß –Elastischer Fuß (Plastic Foot - Elastic Foot).
The photograph taken by Caroline Tisdale shows a light reflecting on the fat from the installation which melted under the heat of the defective central heating in the Center Beaubourg, on Paris, April 1977. Verso details of the image and a standard postcard design. This card is signed by Beuys in red ink on the front. There are seven variants of this card all similar but very slightly different. VG+.

...

N.p.: FIU, 1977
11.7 x 17cm, 2pp artist postcard showing a b/w image of Beuys' Plastischer Fuß –Elastischer Fuß (Plastic Foot - Elastic Foot).
The photograph taken by Caroline Tisdale shows a light reflecting on the fat from the installation which melted under the heat of the defective central heating in the Center Beaubourg, on Paris, April 1977. Verso details of the image and a standard postcard design. This card is signed by Beuys in red ink on the front. There are seven variants of this card all similar but very slightly different. VG+.

...

München, Schulmann & Kluger, 1977
10.7 x 21.2cm, 6pp asymmetric folded card with 10.5 x 13.8cm, b/w illustration of a lithograph "Letter from London" 1976 which the card is offering for 3,200 DM. VG+.

...

Mönchengladbach: Städtisches Museum, 1977 19,5 x 15,2 x 7 cm printed two part gold card box content of a crumpled black tissue with the title text printed on it in gold. The initials in the title stands for “The first totality interrogated philosophy?”. One of 330 numbered examples. Slight wear to box else VG. Very scarce....

Cincinatti: University of Cincinatti, 1977 28 x 21.5cm, 1pp black on yellow announcement leaflet/ programme for a number of "classic" underground films including Lucifer Rising, and works by Robert Breer and Bruce Connor as well as Yalkut showing video and filmic works on the Saturday where he was present to discuss the works. VG....

Berlin: Edition Nationalgalerie; Staatliche Museen Preußischer Kulturbesitz, n.d. (1977) 14. 8 x 10.6cm, 2pp artist postcard issued on the occasion of the acquisition of the work "Richtkräfte einer neuen Gesellschaft (Directions of Energies to a New Society)" by the Berlin Nationalgalerie in 1977. The Richtkräfte environment consisted of “an ensemble of 100 blackboards with chalk diagrams. three easels, one walking stick, and a photographic projectionand created during public dialogues which took place during the exhibition “Art into Society - Society into Art” at the ICA London in November of 1974” - Beuys continued to work on the installation until 1977 when it was sold. Recto an image of the work, verso gallery details and postcard design. This example of the card is signed in blue ink on the front by Beuys. VG+. ...

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