21 Nov

Posted at 20:55h in Joseph Beuys Postcards

Krefeld: Museum Haus Lange Krefeld, 1976, 1982
10.5 x 15cm, 2pp announcement card for the new works in the collection which is is notes included 10 new works by Beuys which were prominently featured in the show. Krefeld is, of course, the city in which the artist was born and brought up. One drawing by the artist is reproduced on the front of the card, verso museum details. This is a mailed card with a typed address and a postal stamp but still is VG+.

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18 Nov

Posted at 18:05h in Artist's Books

Toronto: Couch House Press, 1976
19.6 x 20.2cm , 60pp plus blue card covers. An A-Z of pictures of Finlay's model boats, airplanes, weapons and kites by Paterson along with an alphabet - B is "Battle fleets are like families" shows a number of warships placed in size order like a bad family portrait. Not all of the texts are poetic - some simply describe the toys.
One of 1,000 copies printed this example is VG+.

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15 Nov

Posted at 17:48h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1976
15 x 10cm, 1pp. A line drawing by Laurie Clark of a ship steering towards the viewer with its name on the prow: it can be seen to be a model because of the large faucet to be found in the background.
Finlay was fond of making and playing with toy boats from early in his career. VG+.

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15 Oct

Posted at 17:52h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1976
11.3 x 16.6cm, 1pp. A photograph by Carl Heideken shows an actual chocolate soldier marching while carrying a heavy gun. Finlay equates this to the German Panzergrenadier who were the basic troops of the Panzergrenadiertruppe, their uniforms were often brown, famously the enlisted men were given chocolate bars (Scho-Ka-Kola) as part of their "Front Fighting Packages" when supplies arrived.

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27 Sep

Posted at 15:57h in Prints + Posters

Little Sparta: Wild Hawthorn Press, 1986
29.6 × 50.4cm, blue-grey on white silkscreen with a reproduced painting by John Borg Manduca of an aircraft carrier seen from a vantage point of the sea level which makes its size seem vast. There is also enclosing a separate sheet of tracing paper bearing the colophon information and Finlay's handwritten signature in ink.
The full quotation: ‘At the field's edge, on the vertiginous cliff-top, stood a solitary hut’ and clearly describes the greatness of such a vessel. We are not clear on the origin of the quote - please do let us know if you can identify it.
One of 300 signed and numbered copies. VG.

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15 Sep

Posted at 18:08h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1976.
15 x 10.5cm, 2pp. A photograph by Carl Heideken of a Oerlikon cannon below which the word LYRE has been added by Finlay. On the reverse of the card there is a Hereclitian quotation from Edward Hussey's book on the PreSocratics: "Applied to a lyre, harmone might refer to the structure of the unstrung lyre, or to that of the strung lyre whether tuned or not, or to that of the lyre tuned in a particular mode."
Visually an Oerlikon cannon's ammunition looks somewhat like the strings of a harp (lyre) so Finlay sees a visual correspondence between the gun and the musical instrument (both also make noise) and the classical quote notes the synthesis of the visual beauty of the weapon/instrument with its function. VG+.

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06 Sep

Posted at 21:05h in Joseph Beuys Postcards

Dusseldorf: Galerie Schmela, 1976
10.5 x 15cm, 2pp announcement card with b/w image of a "Fond" work (sheets of metal that theoretically can cause the flow of electrons) ie a battery on the front, and verso gallery details. An unmailed example which has been signed in blue felt tipped pen on the front by the artist - VG+.

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23 Aug

Posted at 15:52h in James Lee Byars

Standard white envelope hand addressed (with a couple of stars) by Byars to T. Longo of Los Angeles who Byars has nicknamed "Peachy Keen", The envelope has been mailed and is franked and dated 23.8.1976 and sent from Belgium. A few stains and marks from the postal service else VG....

17 Aug

Posted at 13:17h in Photographs

NYC: n.p., 1976
20.5 x 25.2cm, b/w silver gelatine original photograph of a man (probably a journalist) looking at the newly purchased Ian Hamilton Finlay work "STARLIT WATERS" which the Tate Gallery in London had recently purchased.
A press photograph with extensive text on the reverse intended by the journalist used for a "shock horror" story about the purchase.
The work had been bought only 6 months after the "fire brick scandal" (actually a major press made up story about the Tate buying an extreme minimalist work by Carl Andre which consisted of 144 bricks) so this image was an attempt by a journalist to recreate that public outrage at perceived mis-use of public funds. Of course, the journalist was either just being opportunist or stupid.
Very good condition. Not unique as copies were sent to various newspaper. Photographer unknown.

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27 Jul

Posted at 16:08h in Prints + Posters

Little Sparta: Wild Hawthorn Press, 1986
38 × 26.4cm, two part red and black silkscreen on transparent paper and white paper respectively with a drawing by David Button of of three World War I warships - INVINCIBLE. INFLEXIBLE. INDEFATIGABLE’. The overlay sheet adds red diagonal strokes - the poles which held the ships’ torpedo nets - along each hull.
With the subtitle being Homage to Agam, the work is a visual pun paintings by the Israeli artist Yaacov Agam who created optical art (OpArt) works using stripes and diagonals.
The outer card folder notes this is one of only 150 copies produced. This is an unsigned copy. VG in like folder.

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25 Jun

Posted at 12:06h in EXHIBITION CATALOGUES

Bonn: Rheinisches Landesmuseum, 1976
20 x 20.5cm, 120pp plus original pictorial card covers. Exhibition catalogue for a joint show between the life long partners and artists. Boltanski's images are all found (appropriated) images while Messager reproduces found drawings and cartoons. Both artists are working here in the field of appropriation - the act of choosing a particular image is the artistic act and by recontextualising the image (by displaying it in, say, a museum) the picture is given a different meaning or interpretation or function.
Short essays in German by Lothar Romain and Klaus Honnef. VG+.

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