Dunsyre: Wild Hawthorn Press, 1971
15 x 11cm, 12pp (printed recto only with three silkscreened images on thick stock) plus wrappers and pictorial dj - artist's book with lovely colourful small drawings by Gardner above texts by Finlay. A brown sailed tall ship has the legend "An orchard of russets" above its appropriate name Appledore. A brown bottomed boat is a "Rococo walnut" because of its obvious seams, a fur tree is a "pinnate evergreen" which in turn is identified as the sea. One of 300 copies numbered and signed by Finlay on the colophon. VG+.

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Dunsyre: Wild Hawthorn Press, 1972
8 x 13cm, 12pp plus wrappers and pictorial dj - artist's book with two silkscreen images - the first is the text EVENING/SAIL in blue letters and the "/" in red - the second is the same but each letter but not the back slash replaced by blue dots. Typography and design by Michael Harvey. The disappearing letters indicating that the ship has gone home leaving only the mast to be seen far off on the horizon. A beautifully simple work which may also be seen as a momento mori much like the print "Evening wil come they sew the blue sale" - see elsewhere in the print section of this collection. One of 300 signed and numbered copies in VG+ condition.

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Venice: Galerie De La Salle, n.d. (1971)
10.5 x 15cm, 2pp b/w postcard issued as an edition during the group show "Les Paravents" held in Venice. On the front is the well known work where the artist shows two photographs of himself side by side with a gap of 5 years and three months between them. He looks older of course, time is disappearing as is his life. VG+. Scarce.

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Dusseldorf, Vice Versand, 1971
21 x 10cm, 3pp (single sheet printed recto only). The promotional card for the object multiple Der Tisch (a film of the aktion of the same name where Anatol Herzfels, Ulrich Meister, Joachim Duckwitz, Johannes Stuttfen sat at a table reading texts while Beuys made a "hand-aktion" in the corner of the room. One image of the multiple (a film of the event in canister painted with Braunkreuz) reproduced. VG+.
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Chorus, Paris 1972 18x24cm, 110pp plus card covers. Single number of the art journal, with a number of text and graphic contributions by Robert Filliou, Jacques Monory, Pierre Tilman, Le Gac, Peter Klasen, Daniel Biga, Richard Hamilton, Gérard Titus-Carmel, Rémi Esnault, Françoise Thieck, Pierre Della Faille, Claude Held, and César as well as a four page contribution by Boltanski - which is known as "Album de photo de la famille d." but internally is denoted as "Six Sounvenirs de Jeuness de Christian Boltanski" above a text in French. Fifteen small found b/w photographs are reproduced. VG+. ...

Dunsyre: Wild Hawthorn Press, 1971
16.8 x 12.5cm, 2pp. Duotone image of a toy boat on water above a traditional form poem by Finlay. The poem describes the fact that the boat is needing repair and is somewhat old - and ends with a Finlay trope - a patched sail. Finlay had made wooden models especially boats for much of his adult life. Photograph by Dianne Tammes. VG+.
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Amsterdam: Stedelijk Museum, 1971
27.5 x 21cm, 230pp, original card wrappers with typographic dust jacker. Exhibition Catalogue for a major show of sound texts, concrete poetry and vidsual texts which displayed work from over 100 artists from all over the world. Those artists included Augusto de Campos, Carlo Belloli, Claus Bremer, Decio Pignatari, Diter Rot, Daniel Spoerri, Andre Thomkins, Max Bense, Ferdinand Kriwet, Henri Chopin, Heinz Gappmayr, Oyvind Fahlstrom, Ian Hamilton Finlay, Mathias Goeritz, Eugen Gomringer, Hansjorg Mayer, Timm Ulrichs, Hiro Kamimura, K. Katue, Kawashima, Emmett Williams. Essay texts in Dutch, English and German language. The catalogue is organised by country of origin so Finlay has a page of works (Homage to Malevich and Au Pair) alongside those of Furnival, Cobbing, Morgan, dsh and others.
The cheap paper is minorly browned after 50 years and there are minor closed tears to the dust jacket but overall VG+. A rare publication.

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Paris: Sonnabend Gallery, 1971
22 x 13.5cm, 8pp (self cover). The artist's fifth book which has an alternative title: "ESSAIS DE RECONSTITUTION D'OBJETS AYAN APPPARTENU A CHRISTIAN BOLTANSKI ENTRE 1948 ET 1954". The book consists of 45 examples of objects from his childhood that Boltanski has tried to recreate in a variety of methods - they are mostly in text description but there are four small b/w images of some of the items. The items are mostly in clay or similar modelling materials and shown in metal drawers as if in an exhibition.
An important book which reflects Boltanski's interest in metal storage and the authority that such placements give to the objects. In VG condition but with some rust on staples.
JOINT:
Hand addressed envelope by Boltanski sent to M. Berg in Copenhagen. Franked printed stamp.
Referenced in Flay Boltanski Catalogue Page 48.

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