Paris: Février Editions, 2003
20.4 x 15cm, 12pp (self cover). Printed on very thick card. The book reproduces five double page images from the artist's very early 1969 film L'homme qui tousse - where the artist is disguised as a mannequin (with paper mache head and in rags) in a derelict room and is clearly unwell - vomiting and coughing.
The film can be seen here: https://www.youtube.com/watch?v=bfJJwdD306c
The book has a custom shaped audio-CD with the soundtrack from the film. VG+.

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Copenhagen: Nicolai Wallner, 2003
10.5 x 15cm, 2pp hand made artist's postcard issued during a Danish solo show - each card having a different artist's name rubber stamped underneath the printed text: "This postcard has been influenced by the work of". Here: JOSEPH KOSUTH. The card is signed "JM" on the back and additionally there is an added yellow post-it note added with the text: "Dear Paul, Unique hand stamped postcard never mailed. Signed on reverse. JM>" An unique work with unique added message. VG+.
joint:
Original hand-addressed envelope sent to Paul Robertson from Jonathan Monk.

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London: Lisson Gallery, 2003
16 x 16cm, 2pp. Announcement card for a solo show of projected works (his second solo show at Lisson) with an appropriated duotone photograph of Gilbert & George in the 1960s. Verso gallery details. This card is signed in pencil by Monk on the reverse. VG+.

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Pistoia:Gli Ori, 2002
22.5 x 17cm, 120pp plus boards. Publisher's bandeau with title. Monograph and exhibition catalogue published on the occasion of the exhibition at the Palazzo delle Papesse, Siena with txts by Maurizio Marrone and Marc Scheps in Italian and English. Biography and bibliography. B/w and colout reproductions of works in the text and in plates outside the text. VG+.

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Toronto: Art Metropole, 2002
10.5 x 15cm, 2pp printed b/w postcard with a hand-drawn pencil line by Monk with instructions to "install this postcard on any wall with the pencil line six feet above the floor". A self portrait of the artist of sorts. One of 200 copies of this object multiple which is signed on the reverse in pencil. VG+.

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Graz: Grazer Kunstverein, 2002
23 x 15cm colour photographic print - displaying an image of Monk's hand holding up a commercial postcard of Arnold Schwarzenegger Stadium which is in flames. One of a series of editioned photographs by Monk in an unstated limitation. Verso this example is unusually signed in blue ink by the artist and has a title label displaying the date and the museum (Grazer Kunstverein, Graz and 2002) where the work was created. VG.

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Glasgow: Wax366, 2002
15 x 10.5cm, 2pp artist postcard displaying a photograph of a neon work by Simon Cutts. The neon was theoretically meant to be powered by wind turbine. The text reads: "Found the pomes in the fields and only wrote them down." VG+.

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Karlsruhe: Meyer Riegger Galerie, 2002
21 x 9.9cm, single sheet folded to 12pp which opens to 42 x 29.5cm. Announcement and exhibition poster printed on grey paper which internally notes over a flat sheet of grey that the first public exhibition of Daniel Buren's vertically striped paintings in Paris at the Galerie Fournier in March 1966. This leaflet is signed by Monk on the front in pencil. VG+.

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