Paris/London: Galerie Yvon Lambert/Book Works, 2000
10 x 12.5cm, 8pp concertina folded single sheet with one of Monk's meeting works printed on it - suggesting a rendezvous at the Tour de Eiffel on the 13th October 2008. Printed in an edition of 10,000 copies according to the publication. In original printed envelope with the title and name of artist. VG+.

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Bielsko-Biala: Galeria Bielsko, 2000
19.5 x 21cm, 132ppl plus blue boards. Exhibition catalogue for a show of artist's postcards by Finlay from the collection of Stanislaw Drozdz. Essay by Piotr Rypson. Many card reproduced in colours. There is a glossery at the back translating many of the English words on the cards into Polish. VG+.

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Venice: s.p., 2000
60.5 x 83.5cm, full colour offset print (wide margins) - one of an unlimited (in theory) prints/ floor posters issued by Monk during the Venice Biennale. The image is of the artist's mother and father with a small monkey (presumably standing in for the artist). We have no information whatsoever if Jonathan Monk was indeed a "little monkey"when a child? This example is unusually signed by Monk in blue ink under the image - slight damage on the left top but else VG.

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Glasgow: Wax366, 2000
14.5 x 9cm, 800 plus silver paper wrappers. Artist's book - all the pages are blank apart from the centre page which has the text "ripples in the gutter" in silver ink. A visual poem. Staples very slightly rusted else VG. Limitation not known but not many. ...

Little Sparta: Wild Hawthorn Press, 2000
8 x 17.9cm, 4pp artist's card with a landscape drawing by Gary Hincks. Internally there is a poem by Finlay:

THE OTHER WAY TO EDINBURGH

(Farmsteads, streams,
serious woods),

the rainstorm's portcullis
closes the view.

One of a number of such cards with detailed illustrations of poems, in the same dramatic style, by Hincks all published in the same year. Finlay's reference to the rainstorm's portcullis is the raging rain coming down in sheets that look like vertical lines on the horizon. VG+.

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