Glasgow: Wax366, 2018
10.5 x 15cm, 2pp artist postcard with the title aphorism on the front white on brown. On the reverse are three related quotations from Walter Parer, John Bevis and Ian Hamilton Finlay of which this is an evolution. Finlay's quote is that "All art constantly aspires to the condition of birdsong in a variety of colours." VG+.

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Paris: Editions Dilecta, 2018
30.5 x 25.5 3.5cm black clamshell box content of a 30 x 25cm, unpaginated artist's book displaying photographs of children from a group class image. A torn part of a silkscreen image of the original photograph tipped on to board. A photograph that has been overprinted in silver such that to see the image one has to scratch away the coating. And a certificate of authenticity numbered and signed by the artist tipped onto the lid of the box.
This is one of 170 signed and numbered copies (with 30 HC copies). VG+ with unscratched photograph.

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Glasgow: Wax366, 2017
14 x 10cm, 2pp artist postcard with a colour photograph of a pint glass full of flowers with the overlaid text: "WILD COLOURS IN A GLASS OF CLEAR WATER UPON A BRICK TABLE WITHIN A GREEN SPACE". VG+.

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London: Marian Goodman Gallery, 2018
30 x 21cm, 2pp. Gallery handout for the show of video works and installations. Short text on the work and one installation view of Animitas - a film of a field of bells on metal stalks being sounded by the wind. VG+.
JOINT:
London: Marian Goodman Gallery, 2018
30 x 21cm, 1pp. Injet printout as issued - a list with small images of the seven works exhibited with descriptions. VG+.

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London: Marian Goodman Gallery, 2018
15 x 21cm, 8pp. Opens to display a small poster - 30 x 42cm, and minimal gallery information. The image is a video still from a film of a major installation in an unknown location where bomb-like sculptural shapes are hollow and allow the wind to pass through and make an eerie low moaning sound. There is a skeleton of what seems to be a whale nearby - and one is tempted to see this as a mournful sound art memorial to the dead animal. VG+.

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London: Wallpaper Magazine, 2018
30 x 22cm, 290pp plus wrappers. A single issue of this art and design magazine which has a 4pp interview with Boltanski on the eve of his first London exhibition for many years. There is a full page colour portrait of the artist and images in his studio.
The cover is a special design by Boltanski for the magazine which overlaps eyes from a face onto his light-bulb installation "Depart". VG+.

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Neuchatel: Le CAN, 2018
33 x 22cm, 20pp plus card covers. String bound. Exhibition catalogue and artist's book consisting of glossy pages with images of the installations in the gallery from the 2018 show and an earlier show (where he smoked his last ever cigarette in 1997). Short text by Marc-Olivier Wahler in French and English. This book is signed in black felt tipped pen on the last colophon page by Monk. VG+>

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Glasgow: Wax366, 2015
Three die cut circular cards each 1.5cm dia, Two are unprinted (creating a "front" and "back" to the publication - one black and the other grey) and an inner circle which has instructions how to use the circle to recreate the expected solar eclipse. Object mutliple or book - hard to tell but amusing and typical in Bellingham's interest in measurement and science. Original closure elastic band. VG+. Limitation not known. ...

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