Glasgow: WAX336, 2016
21 x 15cm, 4pp (created by a single folded sheet silkscreen printed white on brown). Artist's card with four texts: "THIS CLOSER THAN THAT", "THAT BEHIND THIS", "THAT CLOSER THAN THIS" and "THIS BEHIND THAT". Bellingham claims that this is a "moral tale in which the foreground of the nearby is given shape by the background of the faraway...

Little Sparta: Wild Hawthorn Press, n.d. c., 2016.
30 x 21cm, grey on white letterhead for the archive of Ian Hamilton Finlay and the Wild Hawthorn press. The Director is Pia Simig. An unused sheet which was printed after Finlay's death and after Little Sparta was converted into a trust. VG+.

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Basel: Kunsthaus Baselland, 2016
21 x 15cm, 6pp single folded announcement leaflet for three separate exhibitions of which Monk was one alongside van der Ploeg and Lohr. Mon's deflated Sculpture II is reproduced on the front of the card, internally short biographies in German and English. This card is signed by Monk in pencil on the back page. VG+.

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Glasgow: Wax366, 2016
12.5 x 10.7cm, 2pp artist postcard issued on the date of Shakespeare's 400th death. The text on the front mixes up well known phrases by both the dramaturge and the philosopher. Decartes' and Shakespeare's lives did in fact overlap for 2o years. VG+.

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Geneva: 5 rue de La Muse, 2016
21 x 15cm, 4pp announcement card reproducing a bitmapped photograph of a black Porche sportscar over the inner pages. A work dedicated to RH (Richard Hamilton) - the actual car shown was Hamilton's that came to auction in the year before this election. Monk also discovered that the car's official manual was written by a "Richard Hamilton" - hence he began to recreate the car but by enlarging the online auction image - the life size images being heavily pixilated. This card is in VG condition and is signed on the back cover by Monk.

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Rome: Arte e Critica City, March 2016
21 x 15cm, 32pp (self cover). A single number of this art supplement which has a work by Monk on the front - a football - "Part of an untitled floor-piece for via Giula di Barolo", 2016. The rest of the supplement are listings of events. This number is signed in black felt pen on the inside first page by Monk.

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Iona/Glasgow: Iona Craft Shop/Wax366, 2016
11 x 21cm, 2pp artist's postcard letterpress on thick grey card - in 2015 Bellingham cast models of the planets out of bronze and buried them in a remote field on the island of Iona. Each was buried a relative distance from the surface as their average orbits are from the sun.
This card is an extension of that work when two astronomers Konstantin Batygin and Mike Brown proposed that a large ice planet might be found far out in the solar system and only so far apparent due to it's effects on other orbits.
Belling in response, cast a new model of the hypothetical planet and thrown into the sea from "The Bay at the Back of the Ocean" on the west coast of the isle o Ioan next to the site of the original "Hidden Solar System".
it is proposed by Bellingham that the new planet be given the name Echo suggested by the words of Batygin who in stressing the speculative foundation of his evidence said "all we have now is an echo".
JOINT: Iona/Glasgow: Iona Craft Shop/Wax366, 2016
30 x 21cm, 1pp. Reproduction of am open letter from Bellingham to the scientists suggesting the name of the "planet" be called Echo based on the words of Batygin. Folded for mailing else VG+.
JOINT: Iona/Glasgow: Iona Craft Shop/Wax366, 2016
10.5 x 15cm, 2pp. Full colour postcard with a photograph of the model ice planter on teh shore of Iona prior to be cast into the sea, verso details of the image. VG+
JOINT:
D5 printed envelope hand addressed by Bellingham to Paul Robertson.

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Iona: Iona Craft Shop, 2016
15 x 10.5cm, 2pp artist's postcard - in 2015 of the planets out of bronze and buried them in a remote field on the island of Iona. Each was buried a relative distance from the surface as their average orbits are from the sun.
This card is an extension of that work in postcard form where the island of Iona is placed amongst the planets as if it is in the outer reaches of the solar system.

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Glasgow: WAX366, 2016
8 x 15.5cm, 2pp announcement card asking recipients to take part in "a day of tolerance" - "a temporary state of Utopia" on the leap day in 2016. Typographic design. VG+
JOINT:
30 x 21cm, 1pp. Offset black on red letter explaining the concept. Folded for mailing.

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Bologna: Galleria Enrico Astuni, 2016
15 x 21cm, folded poster/booklet that opens up to 60 x 84cm poster. Designed by Monk each page opens up to a different textual work. This was issued during a group show curated by Lorenzo Bruni but Monk did not exhibit simply offering this work. The texts are in order: "IERI. OGGI. DOMANI. ECCETERA." which translated means "YESTERDAY. TODAY. TOMORROW. ETC."
JOINT:
Original printed envelope, neatly opened, signed in pencil on the back by Monk.

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