23 Apr

Posted at 21:23h in Letters + Documents

Paris: Catherine Boutry, 23rd April, 1988
30 x 21cm, 2pp original xerox copy of a letter sent by Catherine Boutry (a well known architectural writer in France) to the President of the French Republic. The letter (obviously written in French) brings the dispute over the Versailles commission to the latter's attention. Describing the background to the commission, Boutry attacks Finlay's detractors and points out that elements of Finlay's letters were deliberately used to malign the artist. She asks the President to consider an appeal to the decision.

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23 Apr

Posted at 09:00h in ARTIST’S BOOKS

Chicago: Museum of Contemporary Art, 1988
30 x 21cm, 120pp plus card covers. Exhibition catalogue which has elements of artist's book in that one section (16pp) is from Detective magazine (entitled DETECTIVE) and shows b/w images of people without captions - one cannot tell who is the victim and who is the murderer.
The rest of the catalogue shows works in colour and b/w of works and installations. A long essay by Lybb Gumpert is the Life and Death of Christian Boltanski is in English. VG+.



Flay Christian Boltanski Catalogue 1992, Page 170....

17 Apr

Posted at 17:47h in Letters + Documents

Little Sparta: Finlay, c. 17 April 1988
A 21 x 30cm, 1pp original xerox of an article in the Scotsman from 16th April 1988 noting that the US vetoed a resolution in the United Nations Security Council to censure Israel for its "iron fist response " to the Palestinian uprising in the occupied West Bank. A reproduced typed note by Finlay is along side.
The note in full is: "The question of deportation entered this controversy because Hirschfeld was going to be deported from France and asked Finlay to intervene on his behalf. This introduced by the problems France imposed on Hirschfeld, the word "deportation: has been used - with perverse cunning - as "proof" of Finlay's alleged anti-semitism.
If to use the word "deportation" is to be an anti-semite advocating the holocaust, what is to be understood by the attached report from The Scotsman newspaper April 16 1988."
In the article Finlay has highlighted a paragraph where the Americans called on Israel to "rescind deportation orders against Palestinians. His point is his critics have deliberately misrepresented his views by selective quoting of charged language.
BR> ...

17 Apr

Posted at 09:39h in Letters + Documents

Little Sparta: Finlay, 17th April 1988
An original vintage xerox 30 x 21cm, 1pp with a letter from Finlay to Michel Blum (one of his accusers) at the Ligue des Droits de l'Homme - Finlay points out that he has not had an answer to his previous letter of April 4 1988 nor his letter of April 11 1988.
Finlay then quotes the Declaration of the Rights of Man and of the Citizen:
"Article V11
No man can be accused, arrested, or kept in detention except in the situations determined by the law...

16 Apr

Posted at 08:59h in Letters + Documents

Manchester: ME Action Campaign, 16th April 1988
An original vintage xerox 30 x 21cm, 1pp of a letter from Martin Lev to Catherine Millet" of Art Press
A letter taking Millet to task for her claims that Sue and Ian Finlay were anti-Semite. Lev praises Sue Finlay for her actions in the ME Action Campaign (on whose letterhead this letter was typed - possibly without permission) and says he knows them both well. He notes his own Jewishness and says that he finds it "absolutely extraordinary" that the claims could be made against them Finlays
"It seems clear to me that Ian is the innocent victim of a particularly sordid and nasty bout of in-fighting in the French political and art world...

14 Apr

Posted at 21:15h in Letters + Documents

Petersfield: Bedales School, 14th April, 1988
30 x 21cm, 1pp original xerox copy of a letter sent by Jessie Sheeler to m. Yves Jouffra, President de League de Droit de l'Homme complaining about the attack by Michel Blum on Finlay. Sheeler points to Sue and Ian Hamilton Finlay's support to victims of injustice and discrimination. "It is tragically ironic that your organisation has allowed itself to be identified with oppressive and vindictive forces at wokr in your society." A facsimile copy of the letter distributed by Finlay to friends and supporters.

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12 Apr

Posted at 17:06h in Letters + Documents

Little Sparta: Finlay, April 1988
An original vintage xerox 30 x 21cm, 1pp statement from Finlay in which he notes the allegations against him in Art Press, on the French radio station Europe 1, in the April edition of Galeries magazine edited by Yves Hyatt where they refer to his "pervasive allusions to Nazi horrors".
Finlay, in turn, accuses his accusers of "a crude attempt to use - that is, to abuse - emotions associated with race in order to destroy me, my work, my family , and my livelihood. it is sad that those who complain of past tyrannies, and who talk of "human rights" commit these excesses. Certainly what is thrust upon us is a war and from now on we shall defend ourselves in every way we can."

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08 Apr

Posted at 19:24h in MONOGRAPHS

Paris: Galeries Magazine, 1988
28.5 x 22cm, 146pp plus pictorial wrappers. A single number of this art magazine which has a portrait of Boltanski on the cover and an 8pp article in French and English about his forthcoming major exhibition in Chicago (pointing out that few French artists are noticed in the USA). Colour images of works in progress in the artist's studio and of the artist. VG+.

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07 Apr

Posted at 17:16h in Letters + Documents

London: Institute of Contemporary Arts, 7th April 1988
An original vintage xerox 30 x 21cm, 1pp of a letter from James Lingwood to Monsieur de Lacoste.
A delivered after a delegation met with Monsieur de Lacoste, the Minister Consular at the London French Embassy to discuss the cancellation of Finlay's Versailles Garden Commission asking that he communicate the substance of the delegations argument to the Ministry of Culture. He goes on to point out that "unsubstantiated allegation should never take precedence over considered debate".
"We were mindful that your response to us was of necessity professional rather than persona, and thank you again for your consideration. Had the artists been afforded similar consideration prior to any public announcement, this alarming and disappointing sequence of events may never have occurred."

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05 Apr

Posted at 09:08h in Letters + Documents

London: Gavin Stamp, 5h April 1988
An original vintage xerox 30 x 21cm, 1pp of a letter from Gavin Stamp, the writer, television presenter and architectural historian, to the French Ambassador to Great Britain.
Stamp expresses his dismay at the cancellation of the Versailles commission by the French Government "apparently for political reasons".
He goes on to say" that an artist investigates the meanings and ambiguities of symbols does not mean that he embraces them. An Anyone who studies Finlay soon realises that the idea that he is a Nazi sypathizer (sic) is preposterous."
"Unfortunately, because he has sometime explored the meaning of Classicism under the Third Reich - as have others, anxious to exorcise the traumas of this century - he has been smeared by lesser, and ignorant men."
"Finlay's project for Versailles demonstrates peculiar sympathy with the Classical tradition of France and understanding of the French Revolutionary period. It deserves to be executed."
Finlay and his wife sought help from friends during the dispute caused by Millet's accusations of anti=-Semitism and this is an example of one of the letters sent on their behalf - this being a particularly powerful defence of the aesthetics of Finlay. it did sadly not change the French Government's mind and the cancellation of the commission stood.
Copied at the time by Finlay to distribute to friends and press as a source of information. VG although some rippling of the paper.

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30 Mar

Posted at 16:55h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1988
16.5 x 14cm, 1pp. Artist's card with a quote from Catherine Millet "I saw a work, I saw Nazi signs carved on it, basta...

20 Mar

Posted at 09:23h in James Lee Byars

NYC: Kent Fine Art, 1988 14.5 x 10.5cm, 40pp plus card covers. Unprinted red dust jacket. Exhibition catalogue with five sculptural works illustrated in b/w and minimal text. Fine. ...

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