08 May AFFICHE. 1974.
London/Eindhoven/Grenoble: Whitechapel Art Gallery/Van Abbemuseum/Musee de Grenoble, 1974
15 x 10.5cm, 2pp artist postcard with a reproduction of a poster "Les Malheurs de Bebe" verso usual postcard design. VG+.
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London/Eindhoven/Grenoble: Whitechapel Art Gallery/Van Abbemuseum/Musee de Grenoble, 1974
15 x 10.5cm, 2pp artist postcard with a reproduction of a poster "Les Malheurs de Bebe" verso usual postcard design. VG+.
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Dunsyre: Wild Hawthorn Press, 1974
29.6 x 12.8cm, 8pp plus card covers and dustjacket. Artist's book which has 8 silhouettes of boats or landscapes drawn by Laurie Clark. Each image has a two-part description underneath - such as HUSH-HUSH CRAFT - Vosper. Vosper according to Finlay was a service launch ie an open boat. The dj here has some spotting but else this is VG+.
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Paris: Galerie Sonnabend, 1974
10.5 x 15cm, 1pp typographic announcement card for Boltanski's twenty-first first solo show and the third at Sonnabend. The work displayed were photographs of the artist pretending to be a nine year old boy and reliving (supposed) memories from his past. This is a mailed copy to M. Berg sent to the latter from Boltanski with handwritten address.
The artist's book of the same title had recently been published by Berg Verlag in Copenhagen - which was M. Berg's own imprint and a book he had commissioned from Boltanski. VG+.
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NYC: Rene Block Gallery, 1974 15 x 10.5cm, 2pp announcement card for the installation Richtkrafte in New York (it had been show in Germany beforehand and later was sold in 1977 to a German museum. One b/w image of the work on the front, verso gallery details. A mailed example with stamp and typed address. VG+....
Byars, James Lee Berlin: Galerie R. Springel, 1974 180 x 48cm. Two conjoined sheets of black paper printed in gold. The length of both sheets together is equivalent of Byars height (5’11”). Texts in the top half consist of 100 sentences selected from Shakespeare edited by Byars, containing the word ‘Gold’, the texts in the bottom half consist of texts by H. Szeemann, K. Ruhrberg, T. Deecke, H. Retzner, L. Burkhardt, W. Schmied, M. Haerdter, prof. Eliot. Issued as the “catalogue” for the exhibition “The Golden Tower”, under the artist program, the Berliner Künstlerprogramm des DAAD, 1974. Framed in wood and glass - fine....
Dunsyre: Wild Hawthorn Press, 1973.
11.4 x 13.8cm, 2pp. Blue and black on silver - a plan of barrage balloons and torpedo nets in a harbour from the last world war is titled as an homage to Silvester - a famous 1930s dance band leader. Visually the barrage balloons and ships look like some of the dance charts with footsteps that taught amateurs how to do popular moves. VG+.
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Paris:Galerie Bama, 1974
18 x 13.5cm, 2pp announcement card for a French exhibition of multiples, books and exhibition catalogues from the period 1948 to 1972. Reproduction of a Beuys text on the front. A mailed copy with stamp and typed address. VG+.
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Heidelberg: Edition Staeck, 1974
15 x 10.5cm, 2pp artist's postcard with the title text "Edition Staeck liefert sofort alle gebohnerte un gewichste Ware von Beuys." which roughly translates as "Staeck immediately delivers all polished and unweighted goods from Beuys." This example of this card has been overwritten in red ink by Beuys with a signed dedication. VG+. Schellman: P19.
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Koln: Karsten Greve, 1974
10.5 x 15cm, 2pp announcement card for a group show of drawings by Beuys, Buthe, Kounellis and Twombly. One work by Beuys reproduced on the front. VG+ but a mailed and type addressed example and with one tiny pinhole where it has been pinned to a board in the past.
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Dunsyre: Wild Hawthorn Press, 1974
11.7 x 12cm, 24pp (double folded and printed recto only) plus card covers and printed dustjacket. Artist's book with eight concrete and visual poems such as
ELEGY FOR A
wheelbarr w
o
The "o" becoming the single wheel of the barrow.
There are also images of a wooden sculpture of fish on a line made by Finlay himself. VG+
This is one of 350 signed and numbered copies on colophon.
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Dunsyre: Wild Hawthorn Press, 1973.
10.5 x 15cm, 2pp. Green on white with three drawings by Sydney McK. Glen of a cube, an ice cream cone and an ice cream wafer. Below is a quote "Treat Nature as the Cube, the Cone and the Slider" ( a slider is a Scottish way of referring to a ice cream wafer - there is a rich vernacular around the ice cream van including "oysters", "pokey hats"
and thankfully lost mildly racist names such as "blackman", "double blackman" for chocolate wafers. The original quote is from Cezanne - "Treat nature by the cylinder, the sphere, the cone, everything in proper perspective so that each side of an object or a plane is directed towards a central point."
Finlay calls this an homage to pop art - probably because of the use of ice cream imagery matches the interest in day to day common objects in that art movement.
A lot of Finlay's 1970s cards are humorous in content - some what different from his usual stern and serious image. They are not his best work - they amuse for a moment or two but earlier and later works are probably better. VG+.
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Copenhague: Information Tirsdag, 8 Feb 1974
29 x 38cm, newspaper clipping from the Danish newspaper sent to Boltanski by M. Berg with an article which mentions Boltanski in a large review and reproduced one of the artist's archival works - displaying the belongings of a death citizen, Paper a bit browned and folded for mailing else VG....