paul robertson, Author at Unoriginal Sins

15 Dec KUNST = MENSCH. 1971.

Posted at 18:29h in Joseph Beuys Cards 1970s, Joseph Beuys Postcards

Krefeld: Kaiser Wilhelm Museum, 1971 29.6 × 20.9cm, 1pp typographic announcement card for a museum show. Unusually over-sized card. Two punch holes for storage else VG. ...

04 Dec ELEGY FOR WHIMBREL AND PETREL. 1971.

Posted at 22:45h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
21 x 12.5cm, 4pp. Artist's card with a reproduced painting by Ian Gardner tipped on the card and opposite a text: "Elegy for Whimbrel and Petrel/petrol". A whimbrel is a wading bird and petrel is another sea bird that spends much of its time on the wing rather than on the sand hence between the two animals both sand and sky birds are represented. The elegy - the poem - is a sad consideration of the effects of pollution on seaside bird life. Opposite the boat in the painting is beached and has its sails ripped - hence it appears petrol fuelled boats are replacing the more traditional vessels much to Finlay's dismay. VG+.

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03 Dec NEON POEMS AND NET-FLOATS. 1971.

Posted at 16:49h in Exhibition Catalogues

Edinburgh: Richard Demarco Gallery, 1971
25 x 15cm, 6pp (single sheet printed one side only in turquoise and black). Demarco's monthly programme of events which lists an Ian Hamilton Finlay exhibition of Neon Poems and Net-Floats: the publication doubled as an exhibition catalogue. One b/w image of Finlay (obscured by sails) boating on Lock Echan. VG+ Scarce.

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23 Nov XMAS MORN. 1971. CHRISTMAS CARD.

Posted at 22:54h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
12.4x 16.4cm, 4pp. Christmas card with the image of a fishing boat along with the Port Letters (FR), the Fishing Nos (218), the net tonnage (54), horse power (200) and its name (Xmas Morn). A visual poem by Finlay - a companion work to the two cards published at Christmas for both of the earlier two years.
Finlay's interest in boat names and numbers is reflected in the beauty of Furnival's line drawing. The boat - here drawn by Michael Harvey - like the previous two earlier drawings by John Furnival, is a poem on water. Interestingly Harvey's drawing style cannot be told apart from the earlier Furnival drawings. VG+.
JOINT WITH:
Original mailing envelope hand addressed to Seamus Cooney of the University of Kalamazoo by Finlay and dated November 29 1971. ...

26 Oct UNICORN (A.C.M). 1971.

Posted at 22:40h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
10.8 x 13cm, 4pp. Artist's card with a photograph by Dianne Tammes of a Finlay toy boat sailing on the water. Inside is the descriptive text: "Ian Hamilton Finlay's Unicorn. Length o.a. 91/2 in, Tonnage 6oz. Auxiliary clockwork motor". The boat is treated as if it was a full sized boat with its measurements but the auxiliary motor which is clockwork gives the game away.

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11 Oct CATCHES. 1971.

Posted at 22:30h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
11.2 x 11.4cm, 4pp. Artist's card with a reproduced drawing by Margot Sandeman of the child's game of conkers on strings and a leaf from the horse chestnut tree. Inside the card is the text: "CATCHES. A big catch is a wee consolation. (After Paul Klee)." VG+.

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05 Oct JOSEPH BEUYS. ZEICHNUNGEN UN AOBJEKTE. 1971.

Posted at 23:42h in Joseph Beuys Cards 1970s, Joseph Beuys Postcards

Koln: Art Intermedia, 1971
14.8 x 21cm, 6pp folded single folded sheet of card with image of Beuys, a short overlaid text and an exhibition history of the artist (mentioning only 5 previous solo shows although that is not accurate), on the reverse there is anopther text on Beuys by Heiner Bastian. VG+.
JOINT:
Koln: Art Intermedia, 1971
16 x 23cm, printed envelope with an image of Beuys and a text about the edition Tragetasche mit Filzplastik. This envelope is hand addressed to the Fluxus artist Jeff Berner. Slight wear from the postal experience else VG.

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05 Oct ORIGINAL SIGNED TYPED LETTER FROM FINLAY TO CHRISTOPHER CARRELL DATED 5.10.1971

Posted at 12:55h in Letters + Documents

21 x 17.8, 1pp. Original typed letter on red Wild Hawthorn Press stationery to Christopher Carrell of the Sunderland Ceolfrith Bookshop asking about sending stocks of publications to the bookshop, the possibility of sales to others and mentioning the Ron Costley's Street Handout leaflet (an early Finlay exhibition announcement) and mentioning a dispute over invoices with a filmmaker Michael Radford which Finlay felt had over charged for petrol. The letter is signed Aye, Ian. VG+.

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03 Oct A WATERLILY POOL. 1970. TWO CARDS WITH HANDMADE ADDITIONS BY FINLAY. POSSIBLE PROPOSAL FOR A SCULPTURE?

Posted at 18:51h in Unique Works

Dunsyre: Wild Hawthorn Press, 1970 Two separate artist's cards - both 15 x 10.5cm, 2pp. Each with annotations by hand by Finlay. The printed aspect of each card has a drawing by Gardner on the front of a floating water lily. the text below “A WATERLILY POOL/h’arbour” reminds one of the way the leaves in a water lily can enclose a space of water and also a shelter for small insects or even fish – hence an arbour of sorts. One one of the two cards Finlay has drawn a curved line in pencil and verso the text in blue ink: "Idea of Arbour + Harbour [L'arbour] and on the other card some lines and a grid over the image. Thee cards came from the archive of Maxwell Allan who was one of Finlay's collaborators and it is not clear if these additions are part of a discussion about a possible sculpture or just explanatory. The grid lines might suggest the former, the text the latter. In any case a unique pair of these cards. Both VG+. ...

17 Sep JOSEPH BEUYS. BARRAQUE D’DULL ODDE 1961 – 1967. 1971.

Posted at 23:33h in Joseph Beuys Cards 1970s, Joseph Beuys Postcards

Dusseldorf: Galerie Schmela, 1971 21 x 30cm, 4pp black and red on white card announcement. Three black and white photographs of Beuys performances taken by Ute Klophaus are displayed full sheet. The images are from the performance Celtic+ from 1971 where Beuys took gelatine from a prepared wall and collected in on a platter as part of the event. This is usually regarded as symbolic of the collection of ideas and energy. VG+. ...

11 Sep TREE-SHELLS. 1971.

Posted at 22:09h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
9.8 x 7cm, 4pp. Artist's card with a reproduced painting by Ian Gardner of a tree in a landscape. Inside the card is the text: "TREE-SHELLS. Instructions: Apply ear to Tree-Shell. Listen for Lakes." The card can be used to create the same auditory illusion as holding a sea-shell to the ear - hence bringing the sound of water (lakes) to the ear. VG+

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11 Aug TARASQUE 11 & 12.

Posted at 10:04h in Page Works & Contributions

Nottingham: Trent Bookshop, 1971) 20.4 x 16.5cM,, 48pp. with colour pictorial wrappers. A double number of this poetry/art magazine edited by Stuart Mills and Simon Cutts - this issue was the last published. and has concrete works by a number of artists/poets but mostly Finlay and Cutts the issue reprints a long letter from lawyers acting against Finlay in the Times Literary Supplement 25.9.69 relating to his legal action against Fulcrum Press and has Finlay's reposte to the letter (only published here we believe) including "If you were a poet, and President Nixon decided to publish you, would you support the Vietnam War?" Seven other poems by Finlay are reprinted and other letters and articles discuss him. A rather nice publication which sadly ended with this high point.

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